Little Beauties/Kim Addonizio

This has been featured pretty prominiently on the shelves at Target. It's a good one to take on a cross-country plane trip or a three-day weekend at the beach. Although it deals with weighty topics like obsessive compulsive disorder and teen-age pregnancy, I found it only mildly compelling.

From the Publisher

Diana McBride, a thirty-four-year-old former child pageant contender, now works in a baby store in Long Beach. Between dealing with a catastrophic haircut, the failure of her marriage, and phone calls from her alcoholic mother, Diana has gone off her OCD medication and is trying to cope via washing and cleaning rituals. When pregnant teenager Jamie Ramirez enters the store, Diana's already chaotic world is sent spinning.

Jamie can't stand being pregnant. She can't wait to get on with her normal life and give the baby up for adoption. But her yet-to-be-born daughter, Stella, has a fierce will and a destiny to fulfill. And as the magical plot of Little Beauties unfolds, these three characters' lives become linked in ever more surprising ways.

The Memory Keeper's Daughter/Kim Edwards

This had me on edge the whole way through. Though I am not a reader who flips to the end just to get to the resolution, the idea did flash through my mind. The writing is simple and straight-forward so it's easy to get through quickly.

From the Publisher

Award-winning writer Kim Edwards's The Memory Keeper's Daughter is a brilliantly crafted family drama that explores every mother's silent fear: what would happen if you lost your child and she grew up without you?

On a winter night in 1964, Dr. David Henry is forced by a blizzard to deliver his own twins. His son, born first, is perfectly healthy. Yet when his daughter is born, he sees immediately that she has Down's syndrome. Rationalizing it as a need to protect Norah, his wife, he makes a split second decision that will alter all of their lives forever. He asks his nurse to take the baby away to an institution and never to reveal the secret. But Caroline, the nurse, cannot leave the infant. Instead, she disappears into another city to raise the child herself. So begins this beautifully told story that unfolds over a quarter of a century in which these two families, ignorant of each other, are yet bound by David Henry's fateful decision that long-ago winter night.

A rich and deeply moving page-turner, The Memory Keeper's Daughter captures the way life takes unexpected turns and how the mysterious ties that hold a family together help us survive the heartache that occurs when long-buried secrets burst into the open. It is an astonishing tale of redemptive love.

Snow Flower and the Secret Fan/Lisa See and Ties That Bind, Ties That Break/Lensey Namioka

Captivating. You'll want to savor the writing but the story is so gripping you'll race to the end then want to go back and read it again.

Publisher's description:

Lily is haunted by memories-of who she once was, and of a person, long gone, who defined her existence. She has nothing but time now, as she recounts the tale of Snow Flower, and asks the gods for forgiveness.

In nineteenth-century China, when wives and daughters were foot-bound and lived in almost total seclusion, the women in one remote Hunan county developed their own secret code for communication: nu shu ("women's writing"). Some girls were paired with laotongs, "old sames," in emotional matches that lasted throughout their lives. They painted letters on fans, embroidered messages on handkerchiefs, and composed stories, thereby reaching out of their isolation to share their hopes, dreams, and accomplishments.

With the arrival of a silk fan on which Snow Flower has composed for Lily a poem of introduction in nu shu, their friendship is sealed and they become "old sames" at the tender age of seven. As the years pass, through famine and rebellion, they reflect upon their arranged marriages, loneliness, and the joys and tragedies of motherhood. The two find solace, developing a bond that keeps their spirits alive. But when a misunderstanding arises, their lifelong friendship suddenly threatens to tear apart.

Snow Flower and the Secret Fan is a brilliantly realistic journey back to an era of Chinese history that is as deeply moving as it is sorrowful. With the period detail and deep resonance of Memoirs of a Geisha, this lyrical and emotionally charged novel delves into one of the most mysterious of human relationships: female friendship.

Another interesting story that deals with the issue of foot-binding is the Young Adult title "Ties That Bind, Ties That Break" by Lensey Namioka.

The third sister in the Tao family, Ailin is not quite five years old in 1911, a time of transformation in China, when Western philosophies are creating a wave of revolutions and the empire is crumbling. More spirited than her older sisters, Ailin rebels against the torturous age-old tradition of binding girls' feet. When the family of her intended husband breaks the marriage agreement because her feet are not bound, Ailin feels no remorse. But as she enters adolescence, her family is no longer willing to support her. She realizes for the first time just how powerless a girl of good family with no prospect of marriage is in Chinese society.

Ailin has no intention of following that society's traditions. Not only can she read and write Chinese, but she also learns English and seeks a way to make her own living. When she is offered an opportunity that shocks her already estranged family, Ailin faces a decision that may further alienate her from her familial duty and from her country.

Lensey Namioka has written an unforgettable saga of a girl who defies the ancient traditions of her class and heritage, emerging at last as a young woman with an indomitable spirit.

A Brief Lunacy/Cynthia Thayer

This book was fascinating. It explored many interesting elements including mental illness and World War II Nazi Germany. It was so compelling I completed it in one day. The publisher's synopsis follows:

A haunting edge-of-the-seat thriller that begins with a simple act of kindness and ends in a scene of escalating violence in a secluded Maine cabin.

The stranger arrived on a cool October evening. Jessie and Carl invited the stranded young man into their cabin, fed him supper, and let him spend the night. The next morning he repays their kindness by taking them prisoner in their own home.

Who is this man who calls himself Jonah? Why does he seem to know everything about them? What is his connection to their troubled, missing daughter, Sylvie? As Jonah's behavior grows increasingly erratic and frightening, Jessie and Carl are trapped in a single day of brutality and shattering revelations that will test the limits of their sanity and their will to survive.

Other books by Thayer that I've enjoyed include "A Certain Slant of Light" and "Strong for Potatoes."

Tilt/Elizabeth Burns

The things that happen to Bridget Fox in this debut novel could make Job weep, but Bridget is funny on every page, and equally poignant. The overwhelming fact of Bridget's life is that her five-year-old daughter, Maeve, is autistic. Bridget describes what it's like to love a child when "she can't let you know she loves you back." Maeve wears a weighted vest to calm her and alternately giggles and moans to herself. She throws herself against a window and cracks it. This child would be too much for anyone, but Bridget has also suffered grievous losses: she divorced her philandering first husband and weathered the death of her beloved cousin. She and her current husband, Pierce, recently left their longtime home in Manhattan for Minneapolis, where Pierce, an internationally known sculptor, has a teaching job. Bridget has virtually no support system. Her father dies of cancer, her mother is chilly (she tells the desperate Bridget that she needs to find a good rinse for her graying hair). Pierce is soon diagnosed as manic-depressive. It's no wonder that Bridget tilts toward mental breakdown, but it is a wonder that she can be so engaging while coming unhinged-and that Burns manages to stave off melodrama with her dry wit and down-to-earth narration. Burns is a poet whose prose is lyrical, energetic and original. "We have crossed over into some world that I used to imagine was inhabited only by saints and martyrs, by mothers who grow patience like lizards grow tails." This hip and witty novel doesn't mince words about sex, mental illness or the exhaustion of child-rearing.

The Secret Life of Bees/Sue Monk Kidd

Living on a peach farm in South Carolina with her harsh, unyielding father, Lily Owens has shaped her entire life around one devastating, blurred memory - the afternoon her mother was killed, when Lily was four. Since then, her only real companion has been the fierce-hearted, and sometimes just fierce, black woman Rosaleen, who acts as her "stand-in mother."

When Rosaleen insults three of the deepest racists in town, Lily knows it's time to spring them both free. They take off in the only direction Lily can think of, toward a town called Tiburon, South Carolina - a name she found on the back of a picture amid the few possessions left by her mother.

There they are taken in by an eccentric trio of black beekeeping sisters named May, June, and August. Lily thinks of them as the calendar sisters and enters their mesmerizing secret world of bees and honey, and of the Black Madonna who presides over this household of strong, wise women. Maternal loss and betrayal, guilt and forgiveness entwine in a story that leads Lily to the single thing her heart longs for most.

Breathing Water/T. Greenwood

Effie Greer watches the final days of summer play out from her grandparents' home in Lake Gormlaith, Vermont, with her boyfriend, Max. Despite the idyllic setting, Effie is hiding a secret. With a heated temper and shattered past, Max is heading toward self-destruction and Effie, unwilling to let go, is close behind. Slowly, Effie begins to gain the strength necessary to leave the suffocating relationship. But on the evening she decides to go, Max's violence results in a tragic boating accident and the death of a child. Unable to deal with her role in that terrible August night, Effie drifts aimlessly from city to city. Only when she learns that Max has died of a heroin overdose does she find the strength to return to Lake Gormlaith to face the demons that have kept her away. No longer a naive young girl, Effie is now a woman desperately seeking absolution. She ultimately finds her chance in the most unlikely of people.

We Are All Welcome Here/Elizabeth Berg

I have loved everything Elizabeth Berg has published and strongly recommend each of them. Her latest novel is equally satisfying. It features three women, each struggling against overwhelming odds for her own kind of freedom.

It is the summer of 1964. In Tupelo, Mississippi, the town of Elvis's birth, tensions are mounting over civil-rights demonstrations occurring ever more frequently-and violently-across the state. But in Paige Dunn's small, ramshackle house, there are more immediate concerns. Challenged by the effects of the polio she contracted during her last month of pregnancy, Paige is nonetheless determined to live as normal a life as possible and to raise her daughter, Diana, in the way she sees fit-with the support of her tough-talking black caregiver, Peacie.

Diana is trying in her own fashion to live a normal life. As a fourteen-year-old, she wants to make money for clothes and magazines, to slough off the authority of her mother and Peacie, to figure out the puzzle that is boys, and to escape the oppressiveness she sees everywhere in her small town. What she can never escape, however, is the way her life is markedly different from others'. Nor can she escape her ongoing responsibility to assist in caring for her mother. Paige Dunn is attractive, charming, intelligent, and lively, but her needs are great-and relentless.

As the summer unfolds, hate and adversity will visit this modest home. Despite the difficulties thrust upon them, each of the women will find her own path to independence, understanding, and peace. And Diana's mother, so mightily compromised,will end up giving her daughter an extraordinary gift few parents could match.

More Than You Know/Beth Gutcheon

More Than You Know is a haunting novel that bridges two centuries, two mother-daughter relationships, and two tragic love stories. In a small town called Dundee on the coast of Maine, an old woman named Hannah Gray begins her story by saying "Somebody said 'true love is like ghosts, which everyone talks about, and few have seen.' I've seen both, and I don't know how to tell you which is worse."

Hannah has a passionate and painful story of true love and loss: the story of a ghost that appeared in her life, and in the life of Conary Crocker, the wild and appealing boy who loved her.

Interwoven with their love story is a story of a marriage that took place in Dundee a hundred years earlier. As the parallels and differences between the two families are revealed, the reader comes to understand that someone in the nineteenth-century story has become the very unquiet soul haunting the twentieth. But not until the end do we learn (as Hannah never can) what force of mischance and personality has led to so much damage, and no one knows if such damage is ever at an end.

A Certain Slant of Light/Cynthia Thayer

A hermit opens his heart to love in Thayer's moving second novel (after Strong for Potatoes), which takes its title from a poem by Emily Dickinson. When a fire kills his wife, son and daughter, Peter MacQueen retreats to his coastal cabin in Maine, interacting with nobody except Dora, an old Passamaquoddy Indian, and his faithful pet, Dog. He also finds solace in his bagpipes, his few books and a mournful ritual involving his dead daughter's dollhouse, but a guilty secret relentlessly haunts him. A pregnant woman, Elaine, on the run from her cruel husband, shows up on his property, desperate for shelter from a winter storm; the two share a bittersweet healing. Initially irritated by Elaine's presence, Peter eventually opens a tentative crack in his emotional door. Elaine tells him about the miscarriage she suffered when she was a teenager and about the excruciating tensions of growing up with healthy hormones in a restrictive Jehovah's Witness environment. After Elaine's daughter is born and named Azelin--"Spared by Jehovah"-- Elaine must decide whether to stay or return to her husband. Thayer's tale is deeply poetic and quasi-Freudian, with the dollhouse in Peter's cabin serving as a potent symbol of the characters' unconscious desires. The other central motif is Elaine's pregnancy: ideas of renewal, fear and sacrifice in bringing forth new life come to the surface when it becomes clear that Azelin may need a blood transfusion, which Elaine's religion prohibits. If Thayer is heavy-handed with such themes, her characters are plainspoken and lucid as well as complex, and their progress toward emotional healing becomes an engrossing story with inspirational power.

Strong for Potatoes/Cynthia Thayer

Strong for Potatoes is the story of the difficult coming of age of Blue Willoughby, a remarkable girl growing up in eastern Maine. Blue's young life is defined by two events: an accident that left her with a glass eye and a scarred face, and the death of her twin sister, Berry, born without a brain and unable to survive beyond a few days after their birth. For Blue, faced with her mother's dreamy indifference and her photographer father's habit of hiding behind a camera, Berry's image serves as a mute, supportive presence Blue can call forth into her mind practically at will. But Blue's real, flesh-and-blood ally is her grandfather, a full-blooded Passamoquoddy Indian who teaches Blue the lessons that could save her when everything else fails: that the ways of nature can illuminate life; that family can be depended upon; that true passion is worth waiting for; and that grief can heal. Most important, he teaches her the ways of the Passamoquoddy, including the art of weaving baskets from ash and sweet grass - knowledge Blue will need to find a sense of herself to discover where she came from, and even to determine where she's headed.

Nearer Than the Sky/ T. Greenwood

Indie Brown is a woman haunted by a childhood she'd rather forget. As an adult, Indie has moved far away from her parents and created a new life with her longtime companion, Peter, a sensitive and steadfast partner. Together they have forged a simple and happy life in the backwoods of Maine. But one autumn evening, a late-night phone call from her younger sister sends Indie reeling back into the chaos of her troubled family, and she reluctantly returns home." "It is back in the mountains of Arizona that events from her past are suddenly and painfully illuminated. From her mother's disturbing relationship with her younger sister to the death of her brother, Indie is assaulted by the nightmares of her childhood. And after a sudden and unpredictable turn of events, she is ultimately forced to reevaluate her relationships with her mother, her sister, and with Peter." "Munchausen syndrome by proxy, the elusive and horrific mental disorder that causes afflicted mothers to make their own children ill, comes to life in this tragic yet beautiful story.

Undressing the Moon/T. Greenwood

Piper Kincaid is 30 years old and has already endured three years of treatment for breast cancer. As she considers life with metastatic breast disease, she also returns to the year she was 14, when her mother left and she came to understand how lives get broken. In Greenwood's third novel (after Breathing Water and Nearer Than the Sky), chapters alternate between Piper's story today and 16 years earlier. Her mother collected broken glass and created beautiful pieces of art, but she couldn't live with her husband's fears of losing her. She managed to get away, leaving Piper and her older brother, Quinn, with their father, who eventually found a new girlfriend and ostensibly moved out. How Piper grew up that year without either parent, how she and her best friend, Becca, discovered performing, and how she became aware of the neediness and cruelty of others intersects with Piper's cancer ordeal. Greenwood uses glass to represent both beauty and baseness, creation and destruction, and life and death.

Falling Angels/Tracy Chevalier

A fashionable London cemetery, January 1901: Two graves stand side by side, one decorated with an oversize classical urn, the other with a sentimental marble angel. Two families, visiting their respective graves on the day after Queen Victoria's death, teeter on the brink of a new era. The Colemans and the Waterhouses are divided by social class as well as taste. They would certainly not have become acquainted had not their two girls, meeting behind the tombstones, become best friends. And, even more unsuitably, become involved with the gravedigger's muddy son.

As the girls grow up, as the new king changes social customs, as a new, forward-thinking era takes wing, the lives and fortunes of the two families become more and more closely intertwined-neighbors in life as well as death.

Against a gas-lit backdrop of social and political history, Tracy Chevalier explores the prejudices and flaws of a changing time.

The Virgin Blue/Tracy Chevalier

Meet Ella Turner and Isabelle du Moulin -- two women born centuries apart, yet tied together by a haunting family legacy. When Ella and her husband move to a small town in France, Ella hopes to brush up on her French, qualify to practice as a midwife, and start working on a family of her own. Village life turns out to be less idyllic than she expected, however, and a strange series of events propels her on a quest to uncover her family's French ancestry. As the novel unfolds -- alternating between Ella's story and that of Isabelle du Moulin four hundred years earlier -- a common thread emerges that pulls the lives of the two women together in a most mysterious way. Part detective story, part historical fiction, The Virgin Blue is a novel of passion and intrigue that compels readers to the very last page.